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      <image:caption>“Dayana Camposeco’s use of super saturated color acts as a puncture-memory of a place now lost, Wilmington’s Starway Flea Market. We tour the ordinary and remarkable space through meeting its community—from the half-portrait of a woman cradling an everyday plastic tote with an enigmatic expression suggesting the Mona Lisa, to a vendadora in an alien mask, to disembodied masculine hands in the act of nurturance—preparing nopales as food, not as symbol.” —Dr. Annette Rodriguez [ Left to Right : Nadie es Ilegal, Starway Flea Market #2, and Tía Lupe Con Su Rebozo]</image:caption>
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      <image:caption>“Dayana Camposeco’s use of super saturated color acts as a puncture-memory of a place now lost, Wilmington’s Starway Flea Market. We tour the ordinary and remarkable space through meeting its community—from the half-portrait of a woman cradling an everyday plastic tote with an enigmatic expression suggesting the Mona Lisa, to a vendadora in an alien mask, to disembodied masculine hands in the act of nurturance—preparing nopales as food, not as symbol.” —Dr. Annette Rodriguez [ Left to Right : Nadie es Ilegal, Starway Flea Market #2, and Tía Lupe Con Su Rebozo]</image:caption>
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      <image:caption>“Dayana Camposeco’s use of super saturated color acts as a puncture-memory of a place now lost, Wilmington’s Starway Flea Market. We tour the ordinary and remarkable space through meeting its community—from the half-portrait of a woman cradling an everyday plastic tote with an enigmatic expression suggesting the Mona Lisa, to a vendadora in an alien mask, to disembodied masculine hands in the act of nurturance—preparing nopales as food, not as symbol.” —Dr. Annette Rodriguez [ Left to Right : Nadie es Ilegal, Starway Flea Market #2, and Tía Lupe Con Su Rebozo]</image:caption>
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